Clever, clever (and dare I say it a third time?), very clever!
Movie sequels are a dime a dozen, and Hollywood churns them out for a few key reasons, not the least of which is excellent revenue potential. Other factors are at play, such as creative opportunities and brand recognition (think Fast & Furious). It’s been thirty-six years since Tim Burton’s feature film, Beetlejuice, entered our consciousness. And has stayed there ever since. But it’s not like anyone was longing for its return. Michael Keaton secured an Academy Award nomination for Birdman, and Tim Burton had other fish to fry. Shortly after, he released Batman (1989) and Edward Scissorhands (1990), solidifying his career.
When I heard that Beetlejuice Beetlejuice was on the horizon, I wondered which of the sequel factors influenced Burton’s decision to bring it back. The brand recognition was already in place. Creative expression? Burton already had that covered. Did enough time elapse to introduce the Beetlejuice character to a new audience? So, what was it that made him bring it back 36 years later?
I was hoping it wasn’t the revenue potential. And to my relief, it wasn’t the reason. Beetlejuice Beetlejuice exhibits a new, fresh perspective as seen through the eyes of contemporary, young writers. One writer, Seth Grahame-Smith, was only 12 when the original was released. I, for one, am glad they took their time!
Many film sequels are notoriously difficult to improve upon (The Godfather Part II is the exception), but Beetlejuice Beetlejuice manages to capture the magic of the original with a great dose of humor and charm. Realistically, nothing could come close to the scene in the original when the dinner party devolves into a hearty rendition of the Banana Boat (Day-O) song. This scene is one of my top 5 of all time, and it would have been difficult, if not impossible, to try and capture its surprising and startling nature, but Burton gives it a spirited try. Twice.
Most of the cast returns (Michael Keaton, Winona Ryder, Catherine O’Hara) and joins an ensemble of new characters who bridge the past and the present. This helps give the sequel its own character and personality but adds a dose of nostalgia while bringing something fresh and new. The only misfire is the soul-sucking character of Delores (Monica Bellucci), who has a kick-ass debut, but her role diminishes from there.
I would be remiss if I didn’t recognize Danny Elfman, the prolific composer who has garnered international recognition for composing music for over 100 feature films. His soundtrack is brilliant!
If you enjoyed the original film and want to spend a few hours in a movie theater enjoying popcorn and a beverage, I heartily recommend this fun film. It’s worth your time for a few laughs, great performances (Michael Keaton is over-the-top), and great music.
I can’t believe I’m admitting this, as I usually prioritize story above everything else, but with Beetlejuice Beetlejuice, it takes a backseat to all the other fun. Enjoy!
One last comment: you may never look at a staple gun the same way. Don’t say I didn’t warn you.
